Exhibition period: March 9 – June 30, 2024
*Works of art on display are subject to change without notice.
*The Rothko Room and its works are open to view year-round.
Gardens [Garden Sculptures]
Artist |
Title |
Date |
Medium |
Dimensions (cm) |
Yoshikuni Iida |
Moving Cosmos |
1968 |
stainless steel |
265.0 × 170.0 × 170.0 |
Churyo Sato |
Green |
1989 |
bronze |
190.0 × 63.0 × 66.0 |
Frank Stella |
Lunéville |
1994 |
stainless steel and alumina bronze |
717.0 × 640.0 × 609.0 |
Kyubey Kiyomizu |
Red Mask |
1990 |
acrylic on cast aluminum, stainless steel and concrete |
330.0 × 250.0 × 160.0 |
Joel Shapiro |
Untitled |
1988-89 |
bronze |
330.0 × 180.0 × 210.0 |
Henry Moore |
Bronze Figure |
1985-86 |
bronze |
442.0 × 240.0 × 76.0 |
Entrance [Aristide Maillol]
Artist |
Title |
Date |
Medium |
Dimensions (cm) |
Aristide Maillol |
Venus |
1918-28 |
bronze |
177.5 × 60.0 × 38.0 |
Gallery 101 [From Impressionism to the Ecole de Paris]
Artist |
Title |
Date |
Medium |
Dimensions (cm) |
Henri Fantin-Latour |
Vase of Flowers |
1877 |
oil on canvas |
34.3 × 27.5 |
Camille Pissarro |
The Hay Cart, Montfoucault |
1879 |
oil on canvas |
46.3 × 55.3 |
Claude Monet |
Waterlilies |
1907 |
oil on canvas |
92.5 × 73.5 |
Pierre Auguste Renoir |
Bather |
1891 |
oil on canvas |
80.9 × 65.6 |
Pierre Bonnard |
Nude in the Bathroom |
1907 |
oil on canvas |
50.0 × 73.0 |
Henri Matisse |
Nude in an Armchair |
1920 |
oil on canvas |
46.0 × 38.1 |
Georges Braque |
Mandolin |
1912 |
oil on canvas |
24.3 × 35.0, oval |
Georges Braque |
Bather |
1926 |
oil and sand on canvas |
130.0 × 74.0 |
Pablo Picasso |
Woman in an Armchair |
1927 |
oil on canvas |
81.0 × 65.0 |
Pablo Picasso |
Sylvette |
1954 |
oil on canvas |
100.0 × 81.0 |
Tsuguharu Foujita (Léonard Foujita) |
Portrait of Anna de Noailles |
1926 |
oil on canvas |
167.1 × 108.4 |
Marc Chagall |
King David's Dream |
1966 |
oil on canvas |
207.0 × 275.0 |
Fernand Léger |
Composition with Compass |
1933 |
oil on canvas |
59.0 × 90.0 |
Marie Laurencin |
Picnic |
ca.1932-33 |
oil on canvas |
24.2 × 41.0 |
Gallery 102 [Rembrandt van Rijn]
Artist |
Title |
Date |
Medium |
Dimensions (cm) |
Rembrandt van Rijn |
Portrait of a Man in a Broad-Brimmed Hat |
1635 |
oil on canvas (transferred from a panel) |
76.0 × 63.5, oval |
Gallery 103 [The Birth and Development of Abstract Art]
Artist |
Title |
Date |
Medium |
Dimensions (cm) |
Kazimir Malevich |
Suprematism |
1917 |
oil on canvas |
65.6 × 48.2 |
László Moholy-Nagy |
Untitled (Glass Architecture Series) |
c.1920-21 |
etching on paper |
14.6 × 10.2 (34.0 × 24.6) |
László Moholy-Nagy |
Cross and Circle |
c.1922 |
linocut on paper |
8.1 × 11.2 |
László Moholy-Nagy |
L X |
1936 |
oil on canvas |
93.8 × 73.9 |
Georges Vantongerloo |
Function of Forms and Colors |
1937 |
oil on plywood |
101.6 × 101.6 |
Gallery 110 [20th–Century Sculptures Made from Metal]
Artist |
Title |
Date |
Medium |
Dimensions (cm) |
Auguste Rodin |
The Purgatory |
1903/25 |
bronze |
60.0 × 45.0 × 53.0 |
Émile-Antoine Bourdelle |
Fruit |
1911 |
bronze |
99.5 × 44.0 × 23.4 |
Constantin Brancusi |
Sleeping Muse Ⅱ |
1922/76 |
polished bronze |
17.0 × 28.6 × 17.0 |
David Smith |
Voltri Ⅱ |
1962 |
iron steel |
174.5 × 105.5 × 38.3 |
Masakazu Horiuchi |
Composition of Squares and Circles (a) |
1956 |
iron |
69.0 × 52.0 × 42.0 |
Alexander Calder |
The T Tree |
1940 |
painted sheet metal |
148.5 × 74.6 × 63.0 |
Jim Dine |
Bouquet |
1987-88 |
bronze |
137.2 × 68.6 × 63.5 |
Cy Twombly |
Untitled |
1990 |
bronze |
113.5 × 50.0 × 50.0 |
Gallery 104 [Dada, Surrealism and Related Artists]
Artist |
Title |
Date |
Medium |
Dimensions (cm) |
Jean (Hans) Arp |
Two Thoughts on a Navel |
1932 |
bronze |
10.0 × 22.0 × 22.0 |
Joan Miró |
Composition |
1924 |
Indian ink, gouache and color pencil on paper |
62.0 × 47.0 |
Max Ernst |
Enter, Exit |
1923 |
oil on wooden door |
205.0 × 80.0 |
Max Ernst |
Petrified Forest |
1927 |
oil on canvas |
46.0 × 55.0 |
René Magritte |
Sentimental Conversation |
1947 |
oil on canvas |
50.0 × 60.0 |
Wols |
The Nierendorff |
ca.1947 |
oil on canvas |
92.0 × 73.0 |
Wols |
Closed Circuit |
1948/49 |
oil on canvas |
32.0 × 46.0 |
Jean Dubuffet |
Mr. Chocolate |
1950 |
oil and sand on Masonite |
81.0 × 65.0 |
Yves Klein |
Blue Monochrome (IKB130) |
1959 |
dry pigment (IKB) and synthetic resin on plaster on board |
16.0 × 42.0 |
Richard Hamilton |
Oculist Witnesses (with Marcel Duchamp) |
1968 |
screenprint on silver mirror in laminated glass on aluminum plinth |
65.0 × 50.0 |
Richard Hamilton |
Sievers (with Marcel Duchamp) |
1971 |
screenprint and dust between two glass plates on aluminum plinth |
50.0 × 65.0 |
Joseph Cornell |
Dovecote: Americana |
early 1950s |
glass-paned, stained wood box with wooden balls, board, etc. |
34.2 × 19.4× 10.2 |
Joseph Cornell |
Astrological Girl (Cassiopeia) |
ca.1961-63 |
engraving on paper, cutouts and colored pencil on a leaf of a book on Masonite |
25.4 × 20.3 |
Gallery 105 [Richard Hamilton]
Artist |
Title |
Date |
Medium |
Dimensions (cm) |
Richard Hamilton |
Interior (State) |
1964 |
screenprint on paper |
49.0 × 63.6 |
Richard Hamilton |
Five Tyres Abandoned |
1964 |
screenprint on paper |
44.0 × 70.0 |
Richard Hamilton |
The Solomon R. Guggenheim |
1965 |
screenprint on paper |
55.6 × 55.6 |
Richard Hamilton |
Toaster |
1967 |
offset lithograph, screenprint and collage with materialized polyester on paper |
58.4 × 58.4 |
Richard Hamilton |
Self-Portrait |
1967 |
screenprint on paper |
28.3 × 21.2 |
Richard Hamilton |
Swingeing London Ⅲ |
1972 |
scscreenprint and collage on paper |
68.0 × 85.6 |
Gallery 106 [Mark Rothko “Seagram Murals”]
Artist |
Title |
Date |
Medium |
Dimensions (cm) |
Mark Rothko |
Sketch for "Mural No.4" |
1958 |
oil, glue, egg, natural resin and synthetic resin on canvas |
265.8 × 379.4 |
Mark Rothko |
Sketch for "Mural No.1" |
1958 |
oil, glue, egg, natural resin and synthetic resin on canvas |
266.7 × 304.8 |
Mark Rothko |
Untitled |
1958 |
oil, glue, egg, natural resin and synthetic resin on canvas |
264.8 × 252.1 |
Mark Rothko |
Mural Sketch |
1958 |
oil, glue, egg, natural resin and synthetic resin on canvas |
167.6 × 152.4 |
Mark Rothko |
Mural Sketch |
1959 |
oil, glue, egg, natural resin and synthetic resin on canvas |
182.9 × 228.6 |
Mark Rothko |
Mural, Section 1 |
1959 |
oil, glue, egg, natural resin and synthetic resin on canvas |
266.1 × 453.8 |
Mark Rothko |
Untitled |
1959 |
oil, glue, egg, natural resin and synthetic resin on canvas |
266.7 × 455.9 |
Gallery 200 [Jules Olitski]
Artist |
Title |
Date |
Medium |
Dimensions (cm) |
Jules Olitski |
Heightened |
1966 |
acrylic on canvas |
264.8 × 504.2 |
Gallery 201-A [Post-war Abstract Art]
Artist |
Title |
Date |
Medium |
Dimensions (cm) |
Jackson Pollock |
Composition on Green, Black and Tan |
1951 |
house paint and enamel on canvas on Masonite |
50.8 × 139.7 |
Morris Louis |
Gimel |
1958 |
Magna on canvas |
232.5 × 385.5 |
Robert Ryman |
Assistant |
1990 |
oil on canvas with steel fasteners |
279.4 × 266.7 |
Ad Reinhardt |
Abstract Painting |
1960-66 |
oil on canvas |
150.0 × 150.0 |
Ellsworth Kelly |
Black Curve |
1994 |
oil on canvas |
218.0 × 183.0 |
Josef Albers |
Homage to the Square |
1952 |
oil on Masonite |
53.3 × 53.3 |
Josef Albers |
Homage to the Square: White Land |
1960 |
oil on Masonite |
101.0 × 101.0 |
Josef Albers |
Study for Homage to the Square: Growing |
1968 |
oil on Masonite |
101.0 × 101.0 |
Sol Lewitt |
Composite Series |
1971 |
screenprint on paper |
50.8 × 50.8 each |
Sol Lewitt |
Composite Series |
1971 |
screenprint on paper |
50.8 × 50.8 each |
Sol Lewitt |
Composite Series |
1971 |
screenprint on paper |
50.8 × 50.8 each |
Sol Lewitt |
Composite Series |
1971 |
screenprint on paper |
50.8 × 50.8 each |
Larry Bell |
Untitled |
1969 |
vacuum-coated glass and chrome-plated brass |
160.0 × 47.0 × 47.0 |
Toshinobu Onosato |
Comma-Shaped Green |
1969 |
oil on canvas |
150.0 × 150.0 |
Natsuyuki Nakanishi |
R・R・W-Four Beginnings III |
2002 |
oil and charcoal on canvas |
181.5 × 227.5 |
Lee Ufan |
From Line |
1983 |
mineral pigment on canvas |
218.0 × 291.0 |
Gallery 201-B [Frank Stella's “Black Series” and Carl Andre]
Artist |
Title |
Date |
Medium |
Dimensions (cm) |
Frank Stella |
Tomlinson Court Park (second version) |
1959 |
enamel on canvas |
213.4 × 276.9 |
Frank Stella |
Black Series I |
1967 |
lithograph on paper |
38.1 × 55.9 each |
- |
Clinton Plaza |
|
|
|
- |
Arundel Castle |
|
|
|
- |
Die Fahne Hoch ! |
|
|
|
- |
Marriage of Reason and Squalor |
|
|
|
- |
Tomlinson Court Park |
|
|
|
- |
Getty Tomb |
|
|
|
- |
Arbeit Macht Frei |
|
|
|
- |
Club Onyx-Seven Steps |
|
|
|
- |
Bethlehem's Hospital |
|
|
|
Frank Stella |
Black Series II |
1967 |
lithograph on paper |
38.1 × 55.9 each |
- |
Tuxedo Park |
|
|
|
- |
Gezira |
|
|
|
- |
Point of Pines |
|
|
|
- |
Zambesi |
|
|
|
- |
Jill |
|
|
|
- |
Delphine and Hippolyte |
|
|
|
- |
Gavotte |
|
|
|
- |
Turkish Mambo |
|
|
|
Return to Top of the Art Page