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Kawamura Memorial DIC Museum of Art 1990–2025:
Art, Architecture, Nature

February 8 - March 31, 2025

Hours:
9:30-17:00 (last admission 16:30)
Closed:
Mondays (except Feb. 24, Mar. 31), Feb. 25
Organizer:
DIC Corporation

Museum Admission

Adults ¥1,800

College / 65 and over ¥1,600

HS students and under Free

Museum Admission   Adults   College
65 and over
  HS students
and under
    ¥1,800   ¥1,600   Free

*Free admission for disability pass holders and one care-giver for each

*College students includes vocational and preparatory school students
*High school students include technical/vocational upper secondary school students
*For Student discounts please show a student ID, for Senior discount please show proof of age

Outline

The Kawamura Memorial DIC Museum of Art opened in 1990 in the fertile green natural environment of an area known as the northern plateau in the city of Sakura, Chiba Prefecture. For some 34 years since, it has continued operation as a museum in harmony with the changing seasons. In the time of year when the plum blossoms and cherry blossoms come into bloom, a Kawamura Museum collection exhibition will be mounted, using all of the museum’s galleries.

From its founding, the Museum adopted an ideal of “Harmony between the three elements of the environment, the architecture and the art works,” and as time passed the elements of that ideal were redefined as “Art, Architecture and Nature,” and they remain this way to the present. Compared to the unique qualities of our special themed exhibitions and events, our Collection Display, with their limited variety of works, tend to attract less attention. Nonetheless, at the Museum we have continued to devote special importance to this Collection Display has long provided opportunities to create pure expressions unifying these “three elements”. The Museum’s architecture is a composite of eleven different galleries, each of which have been designed down to the finest details with paramount importance placed on the unique presence and identity of the individual works in the collection, all with the purpose of providing viewing experiences for each and every visitor. Connecting these galleries, aligned as they are like individual islands, are hallways and corridors with windows that sunlight to reach them. There, visitors sense the natural outdoor environment in a way that hopefully refreshes their eyes and hearts for the encounters with the next gallery’s works of art.

In this way, the Museum’s architecture can be likened to a box that serves as a mediator between its artworks and the natural world. In our activities for over 30 years, we have provided a venue for countless such “encounters.” Now, we take this opportunity to return to our original ideals as a museum to present this Collection Display of some 180 works from our collection.
 

*Four art works will be changed for the two periods (Period 1: February 8–March 2; Period 2: March 4–31)

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Entrance Hall
Photo: Manami Takahashi
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Gallery 101
From Impressionism to the Ecole de Paris
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Gallery 102
Rembrandt van Rijn
Photo: Osamu Watanabe
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Gallery 200
Photo: Manami Takahashi

Highlights

1. All galleries will be used to display more Collection works than ever before

This exhibition will use the whole museum, including the galleries usually used for special exhibitions, to introduce the full range of the Collection. In total, some 180 works will be displayed, including the outdoor sculptures.

2. Eleven galleries designed specifically for the artworks

The different sizes and designs of the Museum’s 11 galleries have all been planned specifically to provide spaces that best fit the diverse artworks they were intended to display. Here we introduce the measures that were taken for the benefit of the artworks and the viewers. The galleries were designed while taking into consideration the size of the works and even the atmosphere they project on their surroundings, and in the spatial design of each gallery appropriate consideration has been given to the outdoor light, scenery, and more.

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Gallery 104
Dada, Surrealism and Related Artists
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Hallway leading to the Rothko Room
Photo: Manami Takahashi

3. A Museum defined by the concept of “Art, Architecture, Nature”

Since its founding, our museum has been dedicated to achieving a harmony between the three elements of the artworks, architecture and the natural environment. From the time you enter the Museum grounds, you walk the path down through the woods and then overlooking the pond with its waterfowl, and then you enter the quiet space of the Museum’s Entrance Hall. From there on, in numerous parts of the Museum, you can feel the natural world outside. We hope you will experience this unique aspect of the Museum.

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A hallway filled with tree-filtered sunlight
Photo: Manami Takahashi

The Sections

Gallery 101 From Impressionism to the Ecole de Paris
Gallery 102 Rembrandt van Rijn
Gallery 103 The Birth and Development of Abstract Art
Gallery 110 Works on Paper
Gallery 104 Dada, Surrealism and Related Artists
Gallery 105 Joseph Cornell
Gallery 106 Mark Rothko “Seagram Murals”

 

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Gallery 106
The Rothko Room
Photo: Osamu Watanabe

Gallery 200 ― 
Gallery 201 Frank Stella
Gallery 202 Abstract Expressionism, Color Field
Gallery 203 From Neo-Dada and Minimalism to Japanese modern art


Entrance Hall Aristide Maillol
Foyer Enzo Cucchi, Noguchi Rika
Gardens Garden Sculptures

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Henry Moore sculpture ground square
Photo: Manami Takahashi

Events

Gallery Talks and music performances are planned to be held.
Details and method for application will be posted on the Museum’s Japanese website when decided. 
Also, in the annex galleries outside the Museum, displays of posters, leaflets and catalogues from past exhibitions are planned.


Guided Tours

Daily, 14:00-15:00
Open daily to first 20 applicants
- Booking required on the day of your visit at the Museum’s reception desk.